Showing posts with label plants. Show all posts
Showing posts with label plants. Show all posts

Keep It Growing: Poems about Gardening

We moved into our Olympia house four years ago in late November, too late to do anything about yard or garden. The first spring brought recognition that we were the proud owners of an awful lot of false dandelion, burdock, and a layer of clay, none of which was particularly conducive to the kind of vegetable gardening and naturescaping that I hoped to do.

That meant a year of gardening in pots (tomatoes and herbs) and using my Grampa's Weed Puller weekend after weekend. I plugged the holes with a bit of compost and clover seed, seeking to add some health to the soil and habitat for pollinators when it bloomed. On the side of the property that gets the best sunlight we began laying plans for gardening in raised beds. My sweetheart worked to level the ground for a terraced set-up that will eventually hold six beds. We put in two raised metal bins on another side of the property suitable for growing greens.

Fast forward and I have three of the planned six beds on that sunny side. The raspberries and tayberries we put in next to the house are thriving; the raspberries I didn't prune last fall even gifted me a second late crop of some big, beautiful jewels. The elderberry bush put on so many berries this year that unfortunately the sheer weight broke off a major branch, but the bush has already propagated a little neighboring bush. The nectaplum (a nectarine and plum hybrid), hazelnut, and almond trees are well established and will start producing sometime in the next few years. 


And the tomatoes in those beds! Whoa. Definitely should have planted them with big strong trellises to climb on. I had to muscle those much-needed trellises in late to get the vines up off the ground and somehow got away with it, but next year they'll be trained from the beginning.

As I start each morning with poetry, naturally I find poems that celebrate the earthy abundance of gardening. Before this year's harvest of vegetables and herbs ends, I'll share this harvest of poems.

"Believe This"
Richard Levine

....All morning,
muscling my will against that of the wild,
to claim a place in the bounty of earth,
seed, root, sun and rain, I offered my labor
as a kind of grace, 

"Tender"
Jose Antonio Rodriguez

But about the strength and will to cradle the plants
Outside—the pruning, the watering, the sheltering

In found tarps and twine against the coldest nights.
To lean into the day’s hard edge,

And still find that reserve of tenderness
For the bougainvillea, the hibiscus, the blue morning.

"Patriotism"
Ellie Schoenfeld

My country is this dirt
that gathers under my fingernails
when I am in the garden.
The quiet bacteria and fungi,
all the little insects and bugs
are my compatriots.

"Gardening as a Form of Worship"
Bruce Taylor

To bring us to our knees.
To bring us back to quiet.
Inclined as we are
to this labor and attention.

"Vegetable Love in Texas"
Carol Coffee Reposa

Farmers say
There are two things
Money can't buy:
Love and homegrown tomatoes.

"A Warm Summer in San Francisco"
Carolyn Miller 

Although I watched and waited for it every day,
somehow I missed it, the moment when everything reached
the peak of ripeness.

"Slower"
Rosemerry Wahtola Trommer

They are beautiful, the Japanese eggplant,
dangling beneath wide fringed leaves.

"Therapy from the Garden"
Glenn Morazzini

From the lettuce there is common sense for narcissism:
acceptance as side dish, garnish for a meaty sandwich.
If that leaf isn’t the dose, there’s always the soil
people shovel and level, rake and make wishful with seed,

"An Observation"
May Sarton

True gardeners cannot bear a glove
Between the sure touch and the tender root,
Must let their hands grow knotted as they move
With a rough sensitivity about
Under the earth, between the rock and shoot,
Never to bruise or wound the hidden fruit.

"The Seven of Pentacles"
Marge Piercy

as things grow in the real world, slowly enough.
If you tend them properly, if you mulch, if you water,
if you provide birds that eat insects a home and winter food,
if the sun shines and you pick off caterpillars,

"Towel and Basin"
Michael Escoubas

This morning I plodded in pajamas
and bare toes toting my full water pitcher,
prepared as an offering for my
hanging blue Fan plant. The tall
grass washed my feet as Jesus might.

"Practice" 
Rosemerry Wahtola Trommer

I plunge my hands into the soil
and tug on the long white bindweed roots
that cling to the cool damp dark.
Never once have I pulled the whole plant.
Always, the bindweed comes back.

"More"
James Crews

I know it’s summer when we wade out
into the field and pick these crisp wonders,
tiny cucumbers bleached of their green
as if they’ve already seen too much
of this dazzling light, and can take no more.

"Planting the Sand Cherry"
Ann Struthers

It is important for me to be down on my knees,
my fingers sifting the black earth,
making those things grow which will grow.

Rosemerry Wahtola Trommer

Each firm, red-skinned round
I pull from the earth is a small proof
of how things can grow in the dark—


Summer ends with a chill over the garden,
breath of coolness to make the spinach
and lettuce happy. I pick another bucket
of tomatoes, more chewed each harvest,
and welcome the wildlife to this messy table



Walking in December: Of Mosses and Memories

"A close encounter with a mossy log always makes me think of entering a fantasy fabric shop. Its windows overflow with rich textures and colors that invite you closer to inspect the bolts of cloth arrayed before you."

— Robin Wall Kimmerer, Gathering Moss: A Natural and Cultural History*


I remember camping trips as a child with my parents and my younger sister walking through a forest in Oregon or Washington or northern California or British Columbia, loving the moss and deciding to bring some home to plant so I could grow it. I put a small patch of moss in a plastic cup, carefully keeping it damp all the way home, only to learn that mosses won't thrive in the hot weather of Lewiston, Idaho, a part of the state known as the "Banana Belt" for its long growing season (and distinct lack of evergreen forests).


"Mosses are not elevator music; they are the intertwined threads of a Beethoven quartet."

— Robin Wall Kimmerer

Here in Olympia in the sheltered inland marine climate of western Washington the mosses thrive. Every walk through Squaxin Park wraps me in their rich emerald softness. These tiniest of plants blanket logs, standing trees, the seemingly frail limbs of bushes, stones, the ground, the edges of curbs and stormwater access covers on the sidewalks leading to the park. I stop and step closer to a giant tree, my eyes trying to distinguish the different types twined together. 

"...the already gorgeous world becomes even more beautiful the closer you look."

— Robin Wall Kimmerer


On a December walk in the park with my sweetheart, he commented on something I hadn't noticed before: The mosses are thick on the deciduous trees, while the trunks of the Western redcedar and other evergreens are for the most part bare of all but a pale green lichen, at least for the living trees. The bases of some evergreens have moss growing up from the ground but they don't appear to be the hospitable hosts that the big-leaf maples and other deciduous trees are. 

Not long after moving close to Squaxin Park I discovered the Telephone of the Wind: an old-fashioned wall-mount rotary phone on a piece of plywood. The telephone is mounted next to a giant tree at the end of a short side trail that goes only to the tree and back again. Placed there in memory of four-year-old Joelle Sylvester, who died unexpectedly, the phone is a tangible symbol of reaching out to loved ones who have died. When you pick it up and place it to your ear the effect is similar to listening to a seashell: your ear detects a gentle sighing, something more than silence.


We moved to Olympia in fall 2020; back then I visited there to "talk" with my brother Don, who died too young in 2016. Since then my list of people to remember at the tree has grown, all of them people who died long before their time: my niece Amanda, my cousin's son Nate, my former stepson Alex.

Sometimes when I walk down the trail someone else is there, receiver pressed to their head, talking quietly and gently to someone they miss, and I turn around and leave them in peace. About two years ago I placed a small rock there I had painted with hearts. Other memorial leavings come and go; the park staff ask us to leave only natural materials. My heart rock remains, nestled on the ground with other gifts and surrounded by woods full of mosses, mosses everywhere.


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