Showing posts with label autumn. Show all posts
Showing posts with label autumn. Show all posts

Autumnal Equinox 2026: Thoughts and Readings

I'm thinking about the idea of the equinox: 24 hours supposedly* divided evenly between day and night, happening twice a year. Half of one, half another, and yet that isn't at all how we experience day or night. My day starts when I wake up, ends when I fall into sleep. This time of year night, meaning darkness falling, begins before I sleep, and I definitely go to sleep more than 12 hours after I awaken. The Latin roots may mean "equal night"—aequus (equal) plus nox (night)—but that doesn't mean we divide our energies equally between day and night or that I rest as much as I wake.

And yet, and yet—

These astronomical grace notes of the year give us reason to pause. Reason to recognize we live within larger and larger spheres. We may pause within our minds, yet we're always moving even when we're standing still, riding atop an earth spinning on its axis at over 1,000 miles per hour (1,040 at the equator) and whirling around the sun at 67,100 miles per hour. The Sun and Earth orbit the center of our galaxy at something like 447,000 miles per hour. The Milky Way Galaxy is moving. Everything is moving. We are never, ever still. Or we are both still and moving, half and half.

The ancient Celts (who provided some of my ancestry), the Mayans and others used the wheel to symbolize or track time and the seasons. We now enter the season of Mabon (a name given to it in the 1970s, not an ancient traditional name). This is a time of harvest, balance, reflection, releasing what we don't need as we approach the dark. A site on the pagan or Wiccan calendar tells me "the ancient Mayans designed Chichen Itzá to mark the equinox sun, while Neolithic and Bronze Age peoples built sites like Carin T in Ireland and Mnajdra in Malta that align with the sunrise on this day." The Goddess moves from Mother to Crone, a journey I'm taking over the decades although the role of Mother stays with me always.

This is harvest season. My shelves are lined with row upon row of jars, jams, jellies, and chutneys, apples making a prominent appearance thanks to an unexpected gift from a stranger. The ground may be cold, the skies grey, as we move toward winter, but blackberry, elderberry, cherry, hot peppers, mint, tomatoes, and other sweet or savory flavors will join freshly baked brown bread on my plate. This comfort food rewards my labor planting, tending, picking, gleaning, cooking, canning, kneading, shaping, baking. I learned this from my parents, who stocked basement shelves and freezer through summer and fall to lay up stores for the cold season. Measuring time by what ripens, what is past, tells me when summer is turning toward fall.

Emergence Magazine provides me with seasonal meditations. These ask that we pay attention, real attention, to the changes in the world around us. This time of year I both see and feel the change in the angle of the light over the course of the day. Seasonal practice #29, "Slanted Light: for when the sun is slung low," speaks to this:

"Place yourself in a patch of shallow sunshine. What hush does this low light bring to the landscape? How is each space listening to the changing of the light? While the glare and warmth of summer feel like an out-breath, this muted, shallow quality of light is like an in-breath. In long shadows and pale hues, what retreats?"

Then there is #38, "Falling Leaves: for when a colorful carpet adorns the ground":

"Lie down in a pile of fallen leaves. Touch them. Smell them. Are they damp, spiced, sweet with the smell of rot? Imagine the cycle of decay and renewal taking place right beneath you—the leaves slowly breaking down, becoming soil. How do you feel this cycle present within you at this moment: what parts of yourself do you feel called to shed and transform in order for new growth to begin?"

I happened across a piece on the idea of knitting the wheel of the year, each season suggesting different projects, different weights of yarn for the changing daylight and temperatures. As a knitter I love this idea of settling into the season as I settle into my chair with yarn and needles (and a woolsucking cat who needs to be kept far, far away from my tasty bag of merino cat snacks).

My hemisphere of the Earth begins to tilt away from the Sun, taking us from warmth into cold, from light into more and more darkness. The leaves reveal their true colors, the scarlet and gold and orange there all along beneath the green of chlorophyll. I gather leaves on my walks and arrange them in patterns by my door, my "leafspedition land art" decorating the earth for a few days before becoming earth. Like the leaves, I settle into what I am becoming, the yarn in my hands becoming something new.

*I say the equinox is supposedly an equal division between day and night because the equilux, the actual half-and-half division, happens a few days after the equinox, much to my surprise. The Farmer's Almanac explains:

"The Latin root says “equal night,” but the day of the equinox is not actually the day day and night come out exactly even at most places. That day is the equilux, and in the Northern Hemisphere it falls a few days after the September equinox. Two effects pull the dates apart: the Sun is a disc, not a point, so sunrise begins the moment the top edge clears the horizon, and Earth’s atmosphere bends sunlight, letting us see the Sun slightly before it rises and slightly after it sets.

Together those effects add several minutes of daylight to the equinox day. For most of the continental United States, the equilux in 2026 lands between September 25 and 27, with northern states reaching equal day and night a day or two earlier than southern ones. After that, the night side runs ahead, and the days shorten in earnest."

It seems to me, then, that we may think we see balance even though it actually falls somewhere else, perhaps a bit later and in a different place than we thought. We may find our balance standing still while moving faster than we can imagine, watching the light change and the leaves fall.

"Equinox"
Richard Wehrman

The Garden releases its last
radiance, not as something failed,
but as its full reason for being: to give
continually, to its last bit of energetic being.
Its giving is its beauty. It is a smile,
it is the heart of love.

“Autumn”
Rainer Maria Rilke

Leaves are falling, falling as if from afar,
as if, far off in the heavens, gardens were wilting.
And as they fall, their gestures say "it's over."
In the night the heavy earth is falling
from out of all the stars into loneliness.
We are all falling. This hand here is falling.
Just look: it is in all of us.
Yet there is one who holds this falling
with infinite tenderness in her hands.

"Natural History"
Sam Hamill

                    May she
be happy, filled
with the essential,
working in the twilight,
on her knees, at autumn equinox,
gathering the stories
of silence together,
preparing to meet the winter.

"Autumnal Equinox"
Terri Kirby Erickson

Autumn
shakes the summer
from our minds until it falls like leaves,
skittering down an empty street.

Related reading

A Year of Poems: September

The back-to-school month, the month that bridges from summer to fall, Warm days, still, but shorter. The slant of light changes, softens. The day may be hot but the night cools the earth. September is here, and the hillsides still abound with fruit on the blackberry bushes I picked in August.

To compile these monthly collections I read a lot of poems I don't link on the page. A poet may mention September as the date of an event but the poem itself doesn't evoke this time of year. Or it's so archaic I just can't get into it. The ones I link speak to me in some way that may or may not be reflected in the specific lines I excerpt here.

My process includes some research as needed. I recently heard someone hesitate as they started to use the term "Indian summer" to refer to the second summer we sometimes get after a frost in fall. I felt the same hesitation, not knowing if that term (like so many in English) embeds a painful history. 

This phrase appears in poems about September and I wanted to know if it gives offense. The words of poetry reflect the understanding and eras of their authors and a poem may have beauty worth savoring, but I stumble on terms that reflect the bias of those times.

Adam Sweeting, the author of a book on the cultural history of the term "Indian summer", tells us yes, it's offensive. In fact, in 2020 the American Meteorological Society issued the recommendation that we refer to "second summer". Sweeting also notes that the idea of a frost followed by a second summer is less likely, given climate change. We're more apt to experience an extended hot period without the cooling temperatures, then plunge abruptly into winter.

I'll indicate below when a poem uses the term.

[Updated to add this] Another term I learned from Island Martha on Mastodon: "Old Women's Summer" is used in Estonia. I couldn't find the background searching so I asked her if it was considered insulting. She said, "Old Estonian women getting a 2nd chance to sit in the sun with their neighbours AND getting credit for it. What do YOU think?" I think it sounds delightful.

"September Meditation" by Burton D. Carley

Perhaps this will be the only question we will have to answer:
"What can you tell me about September?"

"And Now It's September," by Barbara Crooker

The ornamental grasses have gone to seed, haloed
in the last light. Nights grow chilly, but the days
are still warm; I wear the sun like a shawl on my neck
and arms.

"To the Light of September" by W.S. Merwin

and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings

"I haven't met anyone who hasn't offered me her humanity" by Gary Margolis

To see a storm

of maple leaves as the tides they are.
The apples, at home, their own kind
of burnishing, rented pear.

"Porch Swing in September" by Ted Kooser

and a small brown spider has hung out her web
on a line between porch post and chain
so that no one may swing without breaking it.
She is saying it's time that the swinging were done with,

"September Tomatoes" by Karina Borowitz

It feels cruel. Something in me isn’t ready
to let go of summer so easily. To destroy
what I’ve carefully cultivated all these months.
Those pale flowers might still have time to fruit.

"Green Pear Tree in September" by Freya Manfred

He planted it twelve years ago,
when he was seventy-three,
so that in September
he could stroll down 
with the sound of the crickets
rising and falling around him,

"September Sunday" by Lucille Broderson

I've done what I can,
picked berries in season,
cut back canes, snapped beans,
scrubbed down the mud-spattered walls.

"September, 1918" by Amy Lowell

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.

"September Water" by Elizabeth Bohm (click the arrow at page right to get the rest of the poem after what begins on this page link)

In the quiet sunlight of September
The harbor's top is blond and burnished stone,
Any swimmer who cuts that width of stillness
Is scorched with cold to the marrow of the bone.

"September 2" by Wendell Berry

up the birds rose into the sky against the darkening
clouds. They tossed themselves among the fading
landscapes of the sky like rags, as in
abandonment to the summons their blood knew.

"The Imprint of September Second" by Ethan Gilsdorf

Second of September, I ate the last berry of summer,
the sun still dreaming it's July twenty-first,

the blackberry bush stiffened by heat, losing suppleness,
the berry hard as corn, the seed living in wisdom

teeth that afternoon, me glancing at the scene
glancing back at me, red leaves against a hard green grass, 

"Blackberry Eating" by Galway Kinnell

I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,


why not say cluster of leaves still clinging
to the tip of one branch (the others bare
that bloomed crimson last week) slowly turning
red to brown, 

"September Midnight" by Sara Teasdale (uses the term "Indian summer")

Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.

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